Friday, September 24, 2010

History

Dating back to the 1500's

     Basilica Del Sto Nino, in the downtown area of Cebu, is the oldest church in the Philippines. The beautifully painted ceilings and decorations behind the altar are well worth seeing. You can easily spend 2 to 3 hours looking around the basilica complex.

Whatever time of day you go, you’ll see a line of people queuing to the left of the altar to bless the replica image of Santo Nino. The original statue adorned with gold and precious stones dates back to 1521 and was given to the then Queen Juana by Magellan. The church also houses a souvenir shop where you can buy your Sto. Nino replica.
Its towering facade blends Muslim, Romanesque, and neo-classical architecture, this church of the Señor Santo Niño de Cebu – which translates literally as "holy child of Cebu."
Cebu’s oldest Roman Catholic Church, the Basilica Minore del Santo Niño, also still retains the original stone texture and natural color it had in 1735.
The structure, located right in the heart of downtown Cebu City, is way, way older–it is the Philippines’s oldest church, but it was made out of hard wood, mud, and nipa when it was first built by the Spaniards in 1566 on the very spot where the image of the Santo Nio, left behind by Portuguese and Spanish explorers in 1521, was found preserved in a burned wooden box.
 
Led by Miguel Lopez de Legazpi and Augustinian priest Andres de Urdaneta, the Spaniards who discovered the image in 1565 called it miraculous, for it survived the fire that gutted the structure that housed it but had totally blackened it in the process.
The image also survived the fire that hit the church on November 1, 1568. The church was rebuilt in 1602 and in 1735, then Cebu Governor Fernando Valdes y Tamon ordered that it be constructed out of hard stone-the materials were quarried from Capiz and Panay on wooden boats–on the same spot where the wooden one had stood. Work on the church was completed in 1739.

Today, the church draws devotees, churchgoers, tourists, pilgrims, and candle and other vendors.
As the church could not accommodate the growing number of people who come to hear mass in the basilica, a pilgrim center was built within the church compound and priests officiate mass in the open-air, theater-like structure.
Candle vendors here are different in any other churches; in the basilica, they dance their prayers in that two-step-forward, one-step-backward rhythm called the "Sinug".
This same rhythm is believed to have inspired the Sinulog dance, performed on Cebu City’s streets by various groups in the Sinulog Grand Parade held every third Sunday of January. The parade is one of the highlights of the weeklong celebration of the feast of Cebu’s patron saint. One other highlight is the Saturday religious procession of the images of the Santo Niño and Cebu patron saint Lady of Guadalupe.
 
It is widely believed that the Santo Niño image is the same one given by Portuguese explorer Ferdinand Magellan to Queen Juana of Cebu in 1521, that same year when she, her husband Datu Humabon, and several of their followers where baptized into the Roman Catholic faith. When it was found, it was burnt so bad it was hardly recognizable and its survival was considered as nothing short of a miracle.
The Santo Niño images reputation as miraculous is buoyed by reports of basilica helpers that it sometimes goes out of its glass case to take long walks at night. They point to grass stains on the hem of its dress as evidence. The stories are dismissed as superstition but they strengthened beliefs of devotees that the Santo Niño de Cebu, Cebu's holy child, watches over Cebu.

Foundation
    
     The convent of the Sto. Niño de Cebu was founded by Fr. Andres de Urdaneta on April 28, 1565 , the very day the Legazpi-Urdaneta expedition arrived in the island. On May 8 of the same year, when Legaspi and his men planned the urbanization of the city, they allotted a "place for the church and the convent of San Agustin, "where the Santo Niño image had been found."
In 1599, the convent was made a house of studies of grammar, headed by the Visayan linguist, Fr. Alonso de Mentrida. It also served as a rest house for missionaries working in the province and as a retirement home for the aged and the sick, usually attended to by a lay brother.
The church has always been the Sanctuary of the Sto. Niño, under the custody of the Augustinians. The number of priests assigned to the church varied from three to five aside from one or two lay brothers.


Construction
•  1566 - the first church believed to be built on the site where the image of the Holy Child was found was destroyed by fire. It was said to be built by Fr. Diego de Herrera using wood and nipa.
•  1605 - Fr. Pedro Torres started the construction of a new church, again made of wood and nipa. It was finished in 1626 but was again burned in 1628.
•  1628 - Fr. Juan Medina started the construction of another church, using stone and bricks, a great innovation at that time. The construction was stopped because the structure was found to be defective - the bricks used seemingly "melted" upon contact with air.
•  February 29, 1735 - Father Provincial Bergaño, Governor-General Fernando Valdes, Bishop Manuel Antonio Decio y Ocampo of Cebu and Juan de Albarran Prior of the Santo Niño, started the foundations of the present church, using stone. A lot of help came. Fr. Antonio Lopez, prior of San Nicolas, assisted also together with the people of his district. The residents of Talisay also did four weeks of work and Fr. Francisco Aballe also tried to help with his parishioners from Mactan.
The materials used:

     The stones were quarried from Capiz and Panay by an army of bancas. The molave wood came from the mountains of Talisay and Pitalo and was transported in bancas hired in Argao and Carcar. Fr. Albarran confessed that there was much difficulty in quarrying the stones. Despite the seemingly impossible task, Fr. Albarran was not discouraged. He used white stones to make the lime, with one banca transporting some 400 pieces of stones. There was also another obstacle: the lack of chief craftsmen and officers which forced Fr. Albarran to acquire some knowledge of architecture.
The church was finished not later than 1739. According to an author named Vela, "the church has all the characteristics of a solid construction to withstand all the earthquakes..." And true enough, the church withstood all earthquakes.
The original features of the church have been retained except for the windows added by Fr. Diez in 1889. In 1965, both church and convent underwent a bigger restoration on the occasion of the fourth centennial of the Christianization of the country. The face lifting was made with utmost respect for the historical character of the old structure.
Cardinal Hildebrando Antoniutti, Papal Legate to the Philippines , conferred upon the church the title of Basilica minore , a special privilege granted to the Augustinian Order by the Pope Paul VI. On the other hand, the former President Ferdinand Marcos declared the Sto. Niño Basilica a national shrine because of its historical significance.

Style of the Church
•  Facade - a blending of Muslim, Romanesque and neo-classical features - all set in what has otherwise been described as a high degree of integration. The façade is preserved in its original stone texture and natural color, conveying an air of simplicity of line and elegance.
•  Bell tower - serves as a counterbalance to the convent located on the opposite far end. It has two blind and open windows alternating in shape, ending up in triangular pinnacles with a circular disc crowned by balusters and a bulbous dome of Muslim influence.
•  Center section - the focus of attention. The arched main entrance is balanced by the side rectangular corners. A double-edged triangular pediment crowns the facade.
    reference: http://basilicasantonino.org.ph/index.php?affix=history

How to get there:

The easiest way to go to the church is by taking a taxi. If you come from the uptown area, the place is just a P70-taxi ride away. If you feel adventurous, you can take a jeepney with “Plaza” or “City Hall” printed on its route signboard. Below is a map to the place.

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